The syllables of the word Tasmania stretch across the space in my consciousness, resonant with being a little kid watching cartoons and knowing only that it’s far. But now here it’s an unexpected closeness.
Rolling waves and roads coastline, we’ll see the ocean overflowing any sensible sensory scale and will get blown sideways across the yellow line on Cadillac Mountain.
Those next days headed toward Sjeverni National Park, startlingly dry, a concrete impacted heat, leaves us heaving into noons. Well above the sea and the E65, we don’t see anyone for twenty hours. As if we’re pedaling against a static painting, pebbly grit, haze chalk green.
Pinball bounding bouncing rock to rock and from the edge of your vision you can see see where the stone fences have collapsed to haphazard return to the track. Snapping twigs and leaf shush, our arms raked by thorns. Heat concentrated into a clearing, dive past the perimeter again.
In a month we find no singular place that is Cuba, instead fractal shards where every deeper shape contradicts the emergent ones. It astonishes us every day, we’re breathless in its self aware narrative.
Our route has been a broken meander on the smallest back lanes, cow paths, stony clusterfucked hike-a-bikes, with a dose of wading and lifting sweat skin biting fly swatting. Naturally, we’re having a splendid, demented time.
The identity of this place is that it is nowhere, towns that we will inertia through when we need to, but the network of agricultural tracks horizons into midmorning heat and we don’t have to intersect anything else.
In the thick experience of movement and days, in the backroads dust and the chest pressing heat, in the hundred laughter cheek kiss embrace conversations we have, it’s there that the void gets filled, making me ride grinning at how close it was.
Green Mountain Gravel Growler: Logan, Daniel, and I scouted an incredible bikepacking route linking together some of Vermont’s best craft breweries. Follow the link to Bikepacking.com for details.
Not wanting or wishing or chasing something else. I’m in stationary timestopped movement liberated from hoping for a better view or a softer light or a more ragged horizon. Kyrgyzstan is stasis that I know isn’t permanent but that I can at least be present in heat and contentment.
I don’t care about the equipment, I just want it to be perfect.